Wednesday, July 7, 2010

Dunlop Jazz III Pick Pack, Red Nylon,1.38mm Top Quality


I had to write this review because of my recent significant experience with Dunlop Jazz III picks, not to be confused with Jazz III "XL" picks, which are larger. I started playing 3 and 1/2 years ago and only took 5 or 6 lessons, mainly to ensure I had the basic form right. I used different picks, primarily Gibson and Fender Mediums, primarily because the guy at the guitar store recommended them, and did not really know what I needed.

As time went on, I tried the Dunlop Jazz III XLs and stuck with them for three years. It worked great for Jazz, Blues, Rock, and Metal. Also, the wide base worked well with aggressive strumming, and the stiffness allowed for aggressive single-note lines. You could really move those strings around with authority and accuracy. Yet I soon realized that I was in a rut, and could not increase my speed during my practice of scales and fast riffs.

A couple of years ago, a guy had recommended the smaller, original Jazz IIIs, but I tried them and did not like them. Around three months ago, I picked one up from the original package that had been sitting around, and I soon found my speed increasing. This was especially true during string-skipping maneuvers. I believe the wideness of the Jazz III XLs made them a little ungainly for me at higher speeds when maneuvering between strings and having to take awkward picking angles. The smaller size of the Jazz IIIs helped minimize these impediments. I use both the original nylon AND the Stiffo versions, although I favor the Stiffo because I don't want my picks deforming too much at speed. The Jazz III XLs do have the advantage when strumming rhythm passages. The wider base gives you more to hold on to and more leverage with the up and down strokes. But, as my fingers adjust and grow stronger, I am finding I can strum almost as well with the smaller Jazz IIIs.

Finally, I like the slightly duller sound of the Dunlop Jazz IIIs, although I have discovered that when playing with distortion, it may be necessary to increase my attack to get that breakup and edge that I am looking for. Since I switched, I have to say the difference in my technical ability, and my tone, has been dramatic!
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